one of the ways i've chosen to engage with the possible is via a portrait project of folks involved. since the exhibition is very much about process, i'm using the camera i enjoy using the most – my rollei – and showing contact sheets. i've steadily added to my collection over the course of the show.
there are two weeks left to check out the book, which lives on-site at the berkeley art museum, in the remarkable possible library.
i'd like to take this moment to thank light waves for their ongoing support of this project.