the possible
POSSIBILIANS /
one of the ways i've chosen to engage with the possible is via a portrait project of folks involved. since the exhibition is very much about process, i'm using the camera i enjoy using the most – my rollei – and showing contact sheets. i've steadily added to my collection over the course of the show.
there are two weeks left to check out the book, which lives on-site at the berkeley art museum, in the remarkable possible library.
i'd like to take this moment to thank light waves for their ongoing support of this project.
THE POSSIBLE /
it's high time i share some news about the possibleat berkeley art museum.
what the new york times calls a departure from the obvious, this exhibition crafted by guest curator david wilson and director lawrence rinder is an experiment that re-conceives the museum as a site for creative convergence. the gallery spaces have been transformed into work spaces: a ceramics studio, dye lab, print shop and recording studio. a diverse range of guest artists are using the museum and these studios to create new work, collaborating and experimenting in a public forum. i'm happy to be one of them.
above is a platform that kori girard designed to receive works created during the four-month long exhibition. i loved it most early on, in its empty state, reeking of potential. this image sums up the spirit of the exhibition quite nicely, but the instagram feed does a pretty good job too.
